Christie’s Bicicletta Redenzione Milano

ELAWIATR embraces the processes of life and the experimentation of expanding New Renaissance art, redefining what it means to experience art through living. The New Era of art looks perfect, doesn’t it?

ELAWIATR’s sculpture, “REDENZIONE,” serves as a bold testament to her role as a precursor of New Renaissance Art/Life. A full-size bicycle is shrouded in a white, soft, 100% cotton structure, transforming this utilitarian object into a piece of art. The familiar vehicle now emerges as a vision of Botticelli’s Venus, ethereal and reimagined.

It appears as if the bike, like the mythological goddess, is crafted from foam or a cloud—light, weightless, and delicate. This new form transforms it from heavy to almost ethereal, poised to melt away into a simple white background. In this decorative form, the bike symbolizes a shift from the masculine to the feminine, from the tactile and useful to the ethereal and beautiful. Its fragility, lightness, and softness demand a tender touch, a metaphor for the delicate nature of beauty.

The newly transformed, metaphysical bike seems destined to soar through the sky, where dreams and gods reside. In this world, ELAWIATR’s New Renaissance sculpture could comfortably reside alongside the spiritual visions of Marc Chagall. Here, the rules are broken; we can ride this bike anywhere, as far as imagination allows, and as far as ELAWIATR envisions.